This image
from ‘Dawn of the Dead’ (2004) illuminates the fact that historical
context has changed since the 1797 version of Dawn of the Dead. Now (due to
actors like Will Smith, Eddie Murphy and Ving Rhames) having a strong black
character is not considered to be a shock within films. Horror is always shows
a strong positive representation of other races and sexualities. An example of
this is the relationship between two different ethnicities, André and
Luda. Another example is the fact that
Kenneth survives. Usually, in old fashioned films, black people would have been
portrayed as dangerous, in a typical ‘gangster’ stereotype but Kenneth’s
character challenges this assumption due to the fact that he is a final
character, and conveys the notion of wise-ness and agility throughout the film,
being seen as in fact a male hero, not a victim or ‘bad guy’. Within this seen
Andre himself, although he doesn’t survive and does kill a human over a ‘zombie
baby’, highlights how the representation of difference races is changing over
time. He discusses how he wants to ‘change’, and admits that even though he has
done some immoral things in his life, he wants to give the best for Luda and
child. Andre’s attempt of a change within his character is a microcosm for
exceeding racial stereotypes within the contextual society.
Another noticeable thing within this shot is the use of costumes within the mise-en-scene. Kenneth is wearing a white top, connoting purity and ‘goodness’, but Andre is wearing all black, foreshadowing his ruthless attack on Norma later on in the film.
Another noticeable thing within this shot is the use of costumes within the mise-en-scene. Kenneth is wearing a white top, connoting purity and ‘goodness’, but Andre is wearing all black, foreshadowing his ruthless attack on Norma later on in the film.
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